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LESSON XXVII |
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Accompaniment to Melody
We have now considered separately the structure and connection of chords and the making of melodic lines. The next step is to combine the two.
The first thing to notice is that it is by no means necessary to be constantly changing the chord. Many melodic lines are constructed over a single chord accomÂpaniment, e.g., |
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Other melodies are supported only by a partial accomÂpaniment: |
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